As an affiliate, we may earn a commission from qualifying purchases. We get commissions for purchases made through links on this website from Amazon and other third parties.
We are presently in a period characterized by significant technological progress that has facilitated the optimization of our music production environments. With merely a laptop, a compact controller, and a microphone, it is now possible to effortlessly produce an entire album. This advancement has made the idea of transporting a recording studio in our backpacks a tangible reality.
Nevertheless, one must consider why manufacturers persist in creating large, non-portable, and expensive workstations. Who are the users of these devices?
The response can be found among “serious musicians.” These individuals are dedicated to their art and strive to minimize any possible distractions. They prefer a sturdy, standalone instrument, akin to a pianist performing on a grand piano.
While it may seem like a step backward, the limitations of these workstations actually foster a more focused and seamless performance, especially during live events. Additionally, serious piano players who invest numerous hours in daily practice appreciate having a powerful yet standalone instrument to refine their abilities.
Best Keyboard Workstations Reviews
1. Yamaha PSRSX900 Arranger Workstation keyboard
The PSRSX900 is a compact 61-note arranger keyboard that distinguishes itself in the market. While it may be assumed that any keyboard equipped with a sequencer can facilitate music arrangement, this model elevates the process by emphasizing the creation of comprehensive song structures.
Equipped with built-in speakers, it is primarily designed for songwriters rather than live performers. Nevertheless, it should not be regarded as a mere beginner’s instrument, as it features impressive professional-grade specifications.
To begin with, it is preloaded with an extensive library of over 1,000 presets derived from the esteemed Yamaha Genos keyboard. Furthermore, it includes more than 400 effects, such as Master Compression, which enhances its versatility for complete mixdowns.
A particularly noteworthy aspect is its outstanding vocal processing capabilities. The integrated Vocoder and Vocal Harmony engine render it an invaluable resource for songwriters.
Additionally, the MP3 Lyric display on the screen is a distinctive feature. While some may view it as a novelty, it proves to be exceptionally beneficial for live cover performances.
2. Korg Nautilus 88 Workstation keyboard
The Korg Nautilus significantly enhances the already remarkable KRONOS series of workstations by integrating nine synthesizer engines into a single device. It is particularly noteworthy for its exceptional emulations of classic Korg vintage analog instruments, including the Polysix, MS-20, and the highly regarded digital M1.
One of the most impressive aspects of the Nautilus is its collection of onboard electric pianos. Upon further investigation, I found that it features an upgraded version of the EP-1 from the KRONOS, as well as Korg’s organ emulation of the CX-3, which dates back to the late 1970s.
I hold in high regard when a manufacturer recreates its own keyboards, as this often leads to a more precise representation due to the use of proprietary schematics, akin to Universal Audio’s methodology with their LA-2A and 1176 compressors.
Unfortunately, I found the factory piano sounds to be somewhat deficient, lacking depth and dimension. This may be attributed to the recording process in a dry environment, which results in a less realistic sound compared to other workstations and premium libraries, such as Spitfire Audio’s Hans Zimmer Piano.
Nevertheless, the Nautilus provides outstanding electric pianos, complemented by a 60GB SSD for sample storage, over 2500 presets, 197 effects, and 5 vintage-style filters, ensuring a rich and high-quality musical experience.
3. Yamaha MODX8+ 88-Key Synthesizer Workstation keyboard
The Yamaha Montage series enjoys considerable popularity among live performers, frequently appearing on stage during Saturday Night Live and concerts featuring prominent artists.
The MODX8+ is designed as a more streamlined alternative to the Montage. Although it does not include the extensive array of knobs and buttons found on the front panel of its counterpart, it still offers a wealth of impressive functionalities.
With its larger display, the MODX8+ is particularly well-suited for workstation applications. Furthermore, the expanded surface area proves advantageous for accommodating a laptop or multiple pedals during live performances.
This keyboard is equipped with two notable features: the Superknob and Motion Sequence Technology. The Superknob enables the manipulation of various synthesizer parameters with a single control, while the Motion Sequence Technology produces rhythmic patterns similar to a bionic LFO.
For live settings, the 256-voice polyphony and 4-part switching capabilities are extremely advantageous, facilitating smooth transitions between songs without any disruptions.
However, one limitation I observed was the unbalanced outputs. While this may stem from its emphasis on live performance, it does appear to represent a minor compromise in audio quality.
4. AKAI Professional MPC Key 61 Keyboard Workstations
This keyboard exemplifies precisely what its name implies. It effectively merges the capabilities of an MPC Live standalone unit with those of a controller.
In contrast to some other keyboards previously discussed, the MPC Key is equipped with a 61-note semi-weighted keyboard rather than a fully weighted piano-style keyboard. This design decision is logical, given that the primary emphasis of this keyboard lies in the 16th note MPC pad matrix, with the keys intended for adding overdubs and potential performance.
From my perspective, the integration of a standalone MPC sequencer, an 8-track audio recorder, pads, and a keyboard significantly enhances the value of this unit.
A particularly noteworthy feature is the provision of 8 CV/Gate outputs for modular and vintage equipment. This addition is commendable, especially as it is a feature carried over from their flagship MPC X, demonstrating a commitment to quality.
Another aspect that I find particularly appealing is the support for Ableton Link. This innovative feature is truly remarkable, especially for a standalone keyboard. While I recognize that the MPC Live II also includes this capability, its presence on a keyboard is exceptional.
The only drawback I observed is the lack of physical sliders. Although it includes a touch strip, having physical sliders for direct control of volumes and parameters would have been advantageous. This may be a consideration for future iterations of the keyboard.
5. Roland JUNO-DS 61-Key Lightweight Synth-Action Keyboard
The JUNO-DS distinguishes itself from its vintage synthesizer predecessors, including the Juno 106, 60, and 6, despite being under the same brand umbrella. Roland has a history of utilizing the Jupiter and Juno names in this manner, which can lead to some frustration for those hoping for a revival of analog synthesizers.
In contrast, the JUNO-DS draws inspiration from the XV series and features an intriguing capability that allows users to upload 1,000 complimentary EXP library sounds from Roland’s website through a USB connection. I still own my XV synthesizers, and I recall that those EXP libraries were quite costly in the past.
Unlike the XV88, the JUNO-DS is equipped with 61 semi-weighted keys.
A particularly notable aspect of this synthesizer is the phrase pad section, which I found to be exceptionally enjoyable and engaging. It is reminiscent of the original SP-808 and the more recent SP-404mkII, merging the functionalities of an MPC with the clip triggering capabilities of Ableton.
Although the synthesizer includes four knobs and an additional four sliders for parameter control, I was somewhat disappointed that the D-Beam technology was not reintroduced. Both the SP-808 and XV88, which share considerable similarities with this model, feature this innovative technology, which was truly ahead of its time and would have made a valuable addition.
Final Word
I possess a comprehensive understanding of Computer Fatigue Syndrome (CFT). Throughout my career, I have consistently prioritized the acquisition of the most sophisticated computer audio systems. However, there have been occasions when I found it necessary to take breaks from prolonged periods of sitting and staring at screens while engaged in writing or recording tasks.
In earlier times, I was the only person I knew who owned the Roland VS1680 along with a comprehensive Protools setup. Despite facing skepticism from producers, I found comfort in the standalone recording approach. This method offered a sense of authenticity reminiscent of using a traditional tape machine or musical instrument. This may account for the lasting popularity of MPCs and Elektron devices; at times, an alternative method is essential.
I contend that workstations fulfill this role exceptionally well. Without their extensive connectivity options, I would likely disregard them entirely. Nevertheless, the capacity to create without enduring protracted loading times is genuinely inspiring.
Furthermore, workstations are known for their reliability and durability. I have yet to experience a workstation failure that resulted in the loss of an entire album’s worth of material due to inadequate backup.
If you have the financial resources and sufficient space in your studio, adding a workstation will undoubtedly be a valuable investment.